
The Siege of Munster
In Our Time: History
11/05/09
•41m
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The Death of Elizabeth I
October 15, 2009
•41m
Melvyn Bragg and guests John Guy, Clare Jackson and Helen Hackett discuss the death of Queen Elizabeth I and its immediate impact, as a foreign monarch became King in the face of plots and plague.By the spring of 1603, Elizabeth had been Queen for 44 years, and it was clear that she would leave no heir. Many feared that her death would spark insurrection, led perhaps by Puritans, perhaps by Catholics, possibly with the support of Spain. As it became clear that she was dying, Elizabeth's chief minister, Sir Robert Cecil, put into action his covert strategy to secure the succession of King James the Sixth of Scotland.What follows is a story of plots, plague and high politics, as a foreign monarch brought a thoroughly Continental approach to Kingship to the English throne. James's accession was widely welcomed, but his relationship with Cecil was initially tense, and his long procession south from Edinburgh attracted both celebration and criticism. His treatise on Kingship, published on his succession, became a bestseller in London - at least until an outbreak of plague, which also drove him from the capital not long after he arrived. His coronation was hurried through to circumvent plots against him, but his triumphal entry into London had to be delayed until a year after Elizabeth's death. And, as the high expectations which first greeted James were increasingly frustrated, the English started to invoke the ghost of their dead Queen to criticise their new ruler.John Guy is a Fellow of Clare College, University of Cambridge; Clare Jackson is Lecturer and Director of Studies in History at Trinity Hall, University of Cambridge; Helen Hackett is Reader in English at University College, London.
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Sparta
November 19, 2009
•42m
Melvyn Bragg and guests Paul Cartledge, Edith Hall and Angie Hobbs discuss Sparta, the militaristic Ancient Greek city-state, and the political ideas it spawned.The isolated Ancient Greek city-state of Sparta was a ferocious opposite to the cosmopolitan port of Athens. Spartans were hostile to outsiders and rhetoric, to philosophy and change. Two and a half thousand years on, Sparta remains famous for its brutally rigorous culture of military discipline, as inculcated in its young men through communal living, and terrifying, licensed violence towards the Helots, the city-state's subjugated majority. Sparta and its cruelty was used as an argument against slavery by British Abolitionists in the early 1800s, before inspiring the Nazis in the 1930s and 1940s.Yet Sparta also produced poets of great skill: Tyrteaus wrote marching songs for the young men; Alcman wrote choral lyrics for the young women. Moreover, the city-state's rulers pioneered a radically egalitarian political system, and its ideals were invoked by Plato. Its inhabitants also prided themselves on their wit: we don't only derive the word 'spartan' from their culture, but the word 'laconic'. Paul Cartledge is AG Leventis Professor of Greek Culture and a Fellow of Clare College, University of Cambridge; Edith Hall is Professor of Classics and Drama at Royal Holloway, University of London; Angie Hobbs is Associate Professor of Philosophy and Senior Fellow in the Public Understanding of Philosophy at the University of Warwick.
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