
The Congress of Vienna
In Our Time: History
10/19/17
•48m
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Melvyn Bragg and guests discuss the conference convened by the victorious powers of the Napoleonic Wars and the earlier French Revolutionary Wars, which had devastated so much of Europe over the last 25 years. The powers aimed to create a long lasting peace, partly by redrawing the map to restore old boundaries and partly by balancing the powers so that none would risk war again. It has since been seen as a very conservative outcome, reasserting the old monarchical and imperial orders over the growth of liberalism and national independence movements, and yet also largely successful in its goal of preventing war in Europe on such a scale for another 100 years. Delegates to Vienna were entertained at night with lavish balls, and the image above is from a French cartoon showing Russia, Prussia, and Austria dancing to the bidding of Castlereagh, the British delegate.
With
Kathleen Burk Professor Emerita of Modern and Contemporary History at University College London
Tim Blanning Emeritus Professor of Modern European History at the University of Cambridge
and
John Bew Professor in History and Foreign Policy at the War Studies Department at King's College London
Producer: Simon Tillotson.
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Constantine the Great
October 5, 2017
•48m
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Picasso's Guernica
November 2, 2017
•54m
Melvyn Bragg and guests discuss the context and impact of Pablo Picasso's iconic work, created soon after the bombing on 26th April 1937 that obliterated much of the Basque town of Guernica, and its people. The attack was carried out by warplanes of the German Condor Legion, joined by the Italian air force, on behalf of Franco's Nationalists. At first the Nationalists denied responsibility, blaming their opponents for creating the destruction themselves for propaganda purposes, but the accounts of journalists such as George Steer, and the prominence of Picasso's work, kept the events of that day under close scrutiny. Picasso's painting has gone on to become a symbol warning against the devastation of war.
With
Mary Vincent Professor of Modern European History at the University of Sheffield
Gijs van Hensbergen Historian of Spanish Art and Fellow of the LSE Cañada Blanch Centre for Contemporary Spanish Studies
and
Dacia Viejo Rose Lecturer in Heritage in the Department of Archaeology at the University of Cambridge Fellow of Selwyn College
Producer: Simon Tillotson.
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