Epic of Gilgamesh

In Our Time: History

11/03/16

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46m

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"He who saw the Deep" are the first words of the standard version of The Epic of Gilgamesh, the subject of this discussion between Melvyn Bragg and his guests. Gilgamesh is often said to be the oldest surviving great work of literature, with origins in the third millennium BC, and it passed through thousands of years on cuneiform tablets. Unlike epics of Greece and Rome, the intact story of Gilgamesh became lost to later generations until tablets were discovered by Hormuzd Rassam in 1853 near Mosul and later translated. Since then, many more tablets have been found and much of the text has been reassembled to convey the story of Gilgamesh, king of Uruk the sheepfold, and Enkidu who the gods created to stop Gilgamesh oppressing his people. Together they fight Humbaba, monstrous guardian of the Cedar Forest, and kill the Bull of Heaven, for which the gods make Enkidu mortally ill. Gilgamesh goes on a long journey as he tries unsuccessfully to learn how to live forever, learning about the Great Deluge on the way, but his remarkable building works guarantee that his fame will last long after his death.

With

Andrew George Professor of Babylonian at SOAS, University of London

Frances Reynolds Shillito Fellow in Assyriology at the Oriental Institute, University of Oxford and Fellow of St Benet's Hall

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Martin Worthington Lecturer in Assyriology at the University of Cambridge

Producer: Simon Tillotson.

Previous Episode

John Dalton

October 27, 2016

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45m

The scientist John Dalton was born in North England in 1766. Although he came from a relatively poor Quaker family, he managed to become one of the most celebrated scientists of his age. Through his work, he helped to establish Manchester as a place where not only products were made but ideas were born. His reputation during his lifetime was so high that unusually a statue was erected to him before he died. Among his interests were meteorology, gasses and colour blindness. However, he is most remembered today for his pioneering thinking in the field of atomic theory.

With:

Jim Bennett Former Director of the Museum of the History of Science at the University of Oxford and Keeper Emeritus at the Science Museum

Aileen Fyfe Reader in British History at the University of St Andrews

James Sumner Lecturer in the History of Technology at the Centre for the History of Science, Technology and Medicine at the University of Manchester

Producer: Victoria Brignell.

Next Episode

The Fighting Temeraire

November 10, 2016

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45m

This image: Joseph Mallord William Turner, The Fighting Temeraire, 1839 (c) The National Gallery, London

Melvyn Bragg and guests discuss "The Fighting Temeraire", one of Turner's greatest works and the one he called his 'darling'. It shows one of the most famous ships of the age, a hero of Trafalgar, being towed up the Thames to the breakers' yard, sail giving way to steam. Turner displayed this masterpiece to a public which, at the time, was deep in celebration of the Temeraire era, with work on Nelson's Column underway, and it was an immediate success, with Thackeray calling the painting 'a national ode'.

With

Susan Foister Curator of Early Netherlandish, German and British Painting at the National Gallery

David Blayney Brown Manton Curator of British Art 1790-1850 at Tate Britain

and

James Davey Curator of Naval History at the National Maritime Museum

Producer: Simon Tillotson.