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DISGRACELAND - Billie Holiday: Heroin Hounds, ‘Whorehouse Music,’ and the Queen of Jazz
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Billie Holiday: Heroin Hounds, ‘Whorehouse Music,’ and the Queen of Jazz

DISGRACELAND

04/05/22

39m

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Billie Holiday ascended from the rough and tumble streets of Baltimore and Harlem, through reform school, brothels, and Welfare Island, right to the top of the music game. Her childhood fascination with “whorehouse music” filled a void in her lost innocence, but she soon found a second stabilizer: Heroin. Just when her sensational “Strange Fruit” brought her to Columbia Records, her dependency on hard drugs landed her behind bars. Her mesmerizing voice ensnared listeners unlike any other jazz singer of her day, but in the end, it was narcotics that eventually ensnared Billie Holiday and sealed her fate.

This episode contains themes that may be disturbing to some listeners and includes descriptions of sexual assault.

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Previous Episode

Billie Holiday ascended from the rough and tumble streets of Baltimore and Harlem, through reform school, brothels, and Welfare Island, right to the top of the music game. Her childhood fascination with “whorehouse music” filled a void in her lost innocence, but she soon found a second stabilizer: Heroin. Just when her sensational “Strange Fruit” brought her to Columbia Records, her dependency on hard drugs landed her behind bars. Her mesmerizing voice ensnared listeners unlike any other jazz singer of her day, but in the end, it was narcotics that eventually ensnared Billie Holiday and sealed her fate.

This episode contains themes that may be disturbing to some listeners and includes descriptions of sexual assault.

To hear all episodes of Disgraceland for free, visit amazon.com/disgraceland. Show notes are available at disgracelandpod.com. Follow us @disgracelandpod on Instagram, Twitter, and Facebook for music news, bonus episodes, and more.

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Next Episode

Jake tells the origins of his Billie Holiday fandom, names his top 3 Billie tracks for anyone doing their first deep dive, and weighs in on music documentaries vs music biopics.

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