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Conversations with Musicians, with Leah Roseman - Summer Update and Highlights Compilation for Season 3
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Summer Update and Highlights Compilation for Season 3

Conversations with Musicians, with Leah Roseman

08/03/23

11m

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I had a lot of fun stitching together some of the many highlights from this Season 3 so far, in a 10 minute compilation I’ve posted to both my podcast and here on my YouTube: I've included clips from every full episode in 2023 so far in this video!

It’s time for my summer break, but the podcast will be back September 2nd with a special episode with two composers who are life partners and also work together with Hans Zimmer at Bleeding Fingers Music. Anže Rozman and Kara Talve will inspire you with both the music of Prehistoric Planet and their personal stories, insights and compositions. I’m including some clips here from that episode, and I’ve also recorded a couple of other fascinating episodes that will be released in September. If you’d like access to regular Sneak Peeks, you need to sign up for my newsletter on my website: https://mailchi.mp/ebed4a237788/podcast-newsletter

Please check out my back catalog for episodes you’ve missed, and keep in mind that you can use the timestamps if you ever want to skip to a certain section or music track.

The podcast, show notes and transcripts are on my website: https://www.leahroseman.com/about

Support this podcast: https://ko-fi.com/leahroseman

Photo of me: Curtis Perry

Previous Episode

Bukhu Ganberged is an incredible Mongolian-Australian musician who is a master of both the Morin Khuur, the Horsehead fiddle, and Khuumii, the Mongolian Overtone Throat Singing. This episode features a lot of special music, and Bukhu’s personal story of growing up in Mongolia and emigrating to Australia. Like all my episodes, this is available as both a video with Closed Captions, a transcript, and a podcast wherever you listen to podcasts, the link to my website: https://www.leahroseman.com/episodes/bukhu-ganburged

Please do consider supporting this series; every dollar helps: https://ko-fi.com/leahroseman

At the beginning of this episode Bukhu explains how he learned overtone throat singing and demonstrates different styles. You’ll then hear some incredible music on Morin Khuur, the horsehead fiddle and learn about Mongolian culture and Bukhu’s experiences in Australia where he’s gone from busking on the street to performing at the Sydney Opera House and being featured on The Voice. I have included detailed timestamps below.

I encourage you to listen to Bukhu’s albums wherever you listen to your music! ⁠https://www.horsefiddle.com/⁠

Bukhu’s audio was captured by his phone directly in Australia (I generally avoid recording over the internet) but the mic placement wasn’t ideal to capture the beautiful complexities of both the horsehead fiddle performances and Bukhu’s singing. However, he has also allowed me to also share within the episode a couple of his recordings both solo and with his group Equus, so you’ll be able to hear him explain about different regional styles of singing and playing in the episode as well as hear the studio quality recordings.

Timestamps:

(00:00) Intro

(02:36) khoomei Mongolian throat singing, how Bukhu learned and different styles

(14:23) some of Bukhu’s albums

(16:00) Equus

(18:00) Huurhun Haliun with Equus

(22:28) please support this independant podcast!

(22:46) Bukhu’s immigration to Australia

(26:20) Morin khuur horsehead fiddle, different regional styles

(37:55) legend of Khuhuu Namjil

(41:11) morin khuur with khoomei Mongolian throat singing “Khuhuu Namjil”

(45:06) Mongolian nomadic culture with animals, weeping camel

(49:09) khoomei Mongolian throat singing weeping camel song

(50:40) Bukhu’s childhood and training in music

(58:16) Linsey Pollak and Lizzie O’Keefe

(59:14) balancing life as a father

Next Episode

Kara Talve and Anže Rozman are composers with Bleeding Fingers Music and together wrote with Hans Zimmer the acclaimed score to the incredible tv series Prehistoric Planet. I was so impressed by this series, and the first part of this episode digs into the unique instruments that were created for this powerful score, and the other part of this episode is a personal and in-depth conversation with Kara and Anže about their lives. They shared their individual stories about challenges, mentors, and have great advice for younger composers. In the show notes and linked to the podcast are 2 bonus tracks which are concert pieces by both Anže and Kara; these pieces are excerpted in the main episode as well. I’ve included detailed timestamps and you can listen to this on your favourite podcast player, watch the YouTube video, read the transcript and see the gallery of images related to this episode,all linked on my website: https://www.leahroseman.com/episodes/ane-rozman-and-kara-talve

Timestamps:

(00:00) Intro

(05:10) creating the music for Prehistoric Planet with custom instruments

(19:23) help support this series through my Ko-fi page

(19:39) Euphone audio sample, more about unique instruments used in Prehistoric Planet

(22:46) Mark Deutsch Banzantar

(24:48) Bleeding Fingers Music, working with Hans Zimmer and Russell Emanuel

(31:08) Anže’s early years composing, challenges, networking

(34:08) excerpt from Flight/Death from Phoenix for Solo Flute and Orchestra by Anže Rozman

(34:49) finding opportunities to write for different instruments

(37:08) emigration: dealing with homesickness

(38:42) working with orchestras

(41:09) Berklee in Spain, networking skills, connecting with Hans Zimmer

(46:21) advice for people who want to move to LA

(49:13) Kara Talve experience of moving to LA

(51:57) composing for The Simpsons

(52:49) how Tara’s grandmother was saved from the Nazis by her piano teacher Andrée Levallois

(57:34) excerpt from “Winter Rhapsody” by Kara Talve

(58:45) mentors at Berklee Ruth Mendelson and Steven Hunt, Kara’s dad

(01:02:01) Anže reflecting on negative attitudes, advice about following your interests, Jani Golob

(01:08:07) Tara’s bad experiences with piano lessons

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