
Ian Maksin
Conversations with Musicians, with Leah Roseman
01/27/25
•84m
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Ian Maksin holds a special place in the hearts of his fans worldwide, with his unique concerts of cello and songs in over 37 languages. It was really interesting to learn about how he has forged a unique path as a solo touring performer, and he shared his insights on finding commonalities between cultures, mindfulness practice and how he stays healthy with such an intense touring schedule. You’ll hear about his childhood, his need to break out of a strict classical music career, how his love of languages started and some suprises, including how he became a pilot as a teenager.
Like all my episodes, you can also watch this on my YouTube channel or listen to the podcast on all the podcast platforms, and I’ve also linked the transcript to my website
Merchandise store to support this series
I’ve linked some episodes to this one that you’ll enjoy, with Margaret Maria
Dorothy Lawson Timestamps: (00:00) Intro (02:23)Ian’s touring (05:55) Ian’s childhood, Georgian culture (13:45) singing in 37 languages, favourite song Gelino (15:38) “Gelina” Georgian song (video link in show notes) (20:44) Georgian food Shkmeruli, Phkali, sulguni (24:41) Ian’s love of languages, his dad’s wedding band (29:58) Ian’s albums and influences (35:48) excerpt from Amor Renatus (link in show notes) (38:42) music for peace and raising money to help Ukrainian refugees (42:16) other episodes linked to this one and ways to help this series (43:09) classical music education, and decision to follow a different path (44:52) mentors Suren Bagratuni, Michael Tilson Thomas (47:05) finding his musical voice, commonalities between traditional music worldwide (52:37) using pedals (55:58) how the internet has helped his career (01:02:29) Airplane Home, Ian’s love of aviation and how he became a pilot (01:09:36) social media marketing, finding your relevant audience (01:14:07) staying healthy mentally and physically (01:21:58) memorization
Previous Episode

Jean Rohe
January 20, 2025
•77m
Jean Rohe is an acclaimed song-writer and singer, as well as a devoted mentor, working with incarcerated song-writers,as well as at the New School and privately. She writes powerful narrative songs, and is widely known for her "National Anthem: Arise! Arise!" an aspirational alternative which has been performed extensively across the US. She shared with me her perspectives on love, grief, identity, community and creativity. One of her beautiful collaborations is the wonderful album Beautalina with the band Eureka Shoes, with Skye Soto Steele, Charlie Burnham and Rashaan Carter. We are featuring music from that project as well as with Robinson & Rohe.
Like all my episodes, you can also watch this on my YouTube or listen to the podcast on all the podcast platforms, and I’ve also linked the transcript to my website : https://www.leahroseman.com/episodes/jean-rohe
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It’s a joy to be able to bring these meaningful conversations to you, but this project costs me quite a bit of money and lots of time; please support this series through either my merchandise store
or buy me a coffee Thanks!
You may be also interested in these episodes:
photo: Krysta Brayer
Timestamps:
(00:00) Intro
(01:48) Euraka Shoes, Looking Glass Arts, Marika Hughes, Charlie Burnham, Skye Soto Steele, Rashaan Carter
(04:28) Jean’s childhood and musical family
(07:19) Beautalina album, about the song “Go Easy”
(09:26) “Go Easy” with Eureka Shoes (link in show notes to album Beautalina)
(12:42) Eureka Shoes, creativity, dealing with grief
(18:35) excerpt from “Everyone Is Dying” Eureka Shoes
(19:05) Jean’s educational path, jazz at New School, Alexandra Montano
(22:47) Eureka Shoes, about “Barn Hymn”, Looking Glass Arts
(26:23) “Barn Hymn” Eureka Shoes
(28:30) The End of the World show, touring Brazil
(31:42) other episodes you’ll like and ways to support this series
(32:29) Republic of Georgia, Ilusha Tsinadze
(34:50) teaching song writing, working with incarcerated people, New School
(48:03) Eureka Shoes, about “I Wanna Be”
(50:54) clip of “I Wanna Be”
(52:58) songwriting, touring
(56:56) Liam Robinson, Robinson&Rohe, Woody Guthrie
(01:03:46) “Where I’m Coming From” Robinson & Rohe from Into the Night (link in show notes)
(01:07:48) songwriting, the voice as instrument
(01:14:29) 74
Next Episode

Samantha Ege
February 3, 2025
•63m
Samantha Ege is both a leading scholar and interpreter of Florence Price. In this interview, she talks about her recent book “South Side Impresarios: How Race Women Transformed Chicago’s Classical Music Scene”. I was fascinated to learn about this compelling history of Chicago’s Black Renaissance with women such as Nora Holt, Margaret Bonds, and Katherine Dunham. Dr. Ege shared how the scholarship side of her work informs both her identity as a pianist and also how this research and storytelling cause her to reflect on some of her own challenges. We also talked about some of her other recent recording projects, including the upcoming Avril Coleridge-Taylor piano concerto and chamber music with Castle of our Skins, and she reflected candidly on her personal creative life as a writer, performer and composer.
Like all my episodes, you can watch this on my YouTube channel or listen to the podcast on all the podcast platforms, and I’ve also linked the transcript to my website
You may be also interested in the following episodes:
among so many https://www.leahroseman.com/about
Troubled Water by Margaret Bonds
from concert in Chicago for Crossing Borders Music
Fantasie Negre no. 1 in E minor by Florence Price:
from concert in Chicago for Crossing Borders Music
Timestamps:
(00:00) Intro
(02:11) book Southside Impresarios, Race women, Florence Price
(05:07) racism, Florence Price, John Powell
(10:50) Margaret Bonds “Troubled Water” from live performance (link to video in show notes)
(15:46) Southside Impresarios, Black Chicago Renaissance, Florence Price
(18:08) Wannamaker competition, Florence Price, Margaret Bonds
(21:47) Nora Holt, Florence Price
(30:43) Samantha’s practice diaries, Avril Coleridge-Taylor piano concerto
(38:03) other episodes you’ll like and ways to support this series
(38:56) composing, identity and confidence
(41:17)the importance of storytelling, upcoming Chicago concerts, community of Black researchers
(44:59) Katherine Dunham, ballet
(47:05) Boston Six, Amy Beach, exclusion of Black composers
(48:55) excerpt from Fantasie Nègre by Florence Price from live performance (link to video in show notes)
(51:52) Chamber music album with Castle of Our Skins, Undine Smith Moore, Bongani Ndodana-Breen
(55:08) Cambridge Companion to Florence Price, Rae Linda Brown, Alexandra Kori Hill
(57:16) Southside
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