
Euclid Quartet
Conversations with Musicians, with Leah Roseman
02/17/24
•91m
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This week's episode is unusual because 4 musicians are featured, the members of the Euclid Quartet. They are a world-class string quartet celebrating their 25th anniversary with a fantastic album of short pieces, entitled Breve, and we are featuring several pieces from that album as part of this episode. Breve album: https://breve.hearnow.com/
You’ll get to know each member of the quartet, which is in residence at Indiana University South Bend: Jameson Cooper, violinist and founding member originally from England; you’ll hear about his experiences as a student of Dorothy Delay, and Roland and Almita Vamos. He also talked about the formative years of the quartet and the nuts and bolts of learning repertoire. The other violinist in the quartet is Aviva Hakanoglu, who holds degrees from Harvard, Indiana University and Stony Brook university and was a student of Philip Setzer, and it was really interesting to hear about her experience auditioning for the quartet and her perspectives on community outreach and as an educator. Violist Luis Enrique Vargas is a long-time member of the Euclid quartet, and started his life in music in Venezuela at the age of 14, and spoke about introducing Latin American composers to his colleagues. Finally cellist Justin Goldsmith is the newest member of the quartet. When he was completing his Master’s degree at Indiana University he formed the Vera quartet which held residencies at both IU and the Curtis Institute of Music, where he was also a Community Artist Fellow. I was curious to learn more about the many roles the quartet plays in their capacities as performers, educators and collaborators, and to hear them speak about the special joys and challenges of being members of a full-time quartet.
Like all my episodes, you can also watch this on my YouTube channel, and I’ve also linked the transcript to my website: https://www.leahroseman.com/episodes/euclid-quartet
Euclid Quartet website: https://www.euclidquartet.com/biography
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Timestamps:
(00:00) Intro
(04:46) Jameson Cooper, getting into chamber music, putting the album Breve together
(08:12) Luis Enrique Vargas Latin Amercian composers
(10:07) Metro Chabacano by Javier Alvarez
(14:05) American Masterpieces grant, diversity of representation in programming, youth outreach
(16:50) the career of a string quartet incorporating outreach and education, Rehearsing Philadelphia
(21:22) intro to Italian Serenade, Aviva on the challenge of recording
(22:29) excerpt from Italian Serenade by Hugo Wolf
(23:45) rehearsal process
(25:20) Jameson the early years of the Quartet, Aspen
(29:58) James Cooper studies with Dorothy DeLay, Roland and Almita Vamos, Masao Kawasaki
(33:45) intro to Shostakovich Polka
(36:18) Shostakovich Polka
(36:16) Aviva audition experience joining the quartet
(42:18) Aviva’s advice for dealing with nerves
(43:40) orchestral auditions and chamber music auditions, Jameson Cooper’s experience as a conductor
(47:48) please support this series!
(48:27) Luis conducting project, his love of whistling
(51:55) Aviva intro to Four, for Tango
(53:22) Four, for Tango by Astor Piazzolla from live performance
(58:23) Hugo Kauder
(01:00:56) Luis Enrique Vargas how he became a violist
(01:03:15) Justin Goldsmith experience of joining the q
Previous Episode

Chuck Copenace Healing and Community
February 10, 2024
•99m
Chuck Copenace is a Winnipeg-based Ojibway musician and we talk about Chuck’s excellent album Oshki Manitou, which expands his work as a trumpet player, arranger, and composer. He’s woven together ceremonial sweat-lodge melodies with jazz, funk, dance and electronica and this episode features tracks from that album. He’s such a powerfully lyrical trumpet player, and you’ll be deeply touched to hear his inspiring story of moving through trauma and addiction to helping others through counseling and music. Chuck talked to me about his experience of growing up Indigenous, how intergenerational trauma from the residential schools affected his life, and how he was able to get sober and find healing in Indigineous ceremonial traditions. You’ll hear about his university experience at Brandon university studying with Alan Ehnes, how he became a counselor through the Addictions Foundation of Manitoba, and found his way back to a life in music. He spoke of his hope for the future of Indigenous youth, working with Julia Keefe’s Indigenous Big Band, and his upcoming projects. Please check out Chuck’s website: https://www.chuckcopenace.com/
Can you help support this series? I really do need the help of my listeners to keep this going: https://ko-fi.com/leahroseman Thanks!
Like all my episodes, this is also available as a video on my YouTube, and the transcript is linked as well to my podcast website: https://www.leahroseman.com/episodes/chuck-copenace
You can sign up here for my newsletter and get access to Sneak Peeks for upcoming guests: https://mailchi.mp/ebed4a237788/podcast-newsletter
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Timestamps:
(00:00) Intro
(02:16) Creator, getting back to music, sweat lodge ceremony
(06:26) Creator from Oshki Manitou
(10:26) learning ceremonial songs, recording the album
(14:12) Indian Act, suppression of Indigenous spiritual and cultural practices like the sweat lodge
(15:45) intro to Nothing Simple
(17:03) Nothing Simple live video from Revelstoke
(21:36) Indigenous peoples in Winnipeg
(22:56) the origin of Oshki Manitou
(26:12) Oshki Manitou
(30:13) Chuck’s son
(30:53) check out past episodes and support the show
(31:31) school music programs
(35:00) how music helped Chuck deal with inter-generational trauma, getting sober
(46:53) growing up Indigenous, the way history is taught
(50:27) residential schools and hope for the future
(58:22) excerpt from Little Sunflower from Oshki Manitou
(59:20) Indigineous mentorship, Julia Keefe Indigenous Big Band
(01:07:29) Chuck’s music education, Alan Ehnes Brandon
(01:16:47) Addictions Foundation of Manitoba, recovery and burnout
(01:24:36) finding a path in music again
(01:35:18) next projects, sharing his story, youth workshops
Next Episode

Marc van Vugt and The Curious Badger
February 24, 2024
•67m
This week’s episode is a special Catch-Up episode with the Dutch guitarist and composer Marc van Vugt, who was previously featured in Season 2 with his album The Lonely Coyote. Today you’ll hear a selection of highlights from his new solo guitar album, The Curious Badger. We caught up on some of his recent projects, and he also shared some wonderful insights into his creative process, and different ways for independent musicians to find audiences for their music. Like all my episodes, this is available on your favourite podcast player as well as a video on YouTube, and the transcript is linked here as well on my website: https://www.leahroseman.com/episodes/marc-van-vugt-the-curious-badger Please consider buying me a coffee to support this independent podcast - you can do that through Paypal on my support site: https://ko-fi.com/leahroseman Thanks! If you missed the episode with jazz singer Ineke Vandoorn, Marc's partner: https://www.leahroseman.com/episodes/ineke-vandoorn Marc van Vugt website: https://www.marcvanvugt.com/ Timestamps (00:00) Intro (02:37) The Curious Badger album (08:06) excerpts from 2 versions of Liefde (09:59) intro to Back to the Market Square, Zen story (15:15) Back to the Market Square (20:21) lowden baritone guitar (22:13) Marc’s advice about PR work, getting gigs and album reviews (30:53) please support this series! (31:30) intro to Dancing in the Wind, layering of different guitars (33:20) excerpt from Dancing in the Wind (33:18) playing on different guitars (35:55) intro to The Coyote and the Badger (37:08) excerpt from The Coyote and the Badger (37:06) influences of different guitarists, Bill Connors (39:39) intro to The Curious Badger (42:53) The Curious Badger (45:33) 2023 Canadian tour (52:00) Sound Makers Project Christine Duncan (55:35) Marc’s creative process (01:01:16) teaching composition
photo of Marc: Jiri Büller
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