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Conversations with Musicians, with Leah Roseman - Anna Petersen: Oboe Player and Educator and Founder of Passionflower Yoga
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Anna Petersen: Oboe Player and Educator and Founder of Passionflower Yoga

Conversations with Musicians, with Leah Roseman

06/25/22

66m

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I find my colleague Anna Petersen is such an inspiring person both as an incredible musician in her role as an oboe and English horn player and teacher, and as founder of Passionflower Yoga. In this conversation, we talk about life’s challenges as a performer and the dangers of perfectionism and the importance of self-compassion, and how her experience as a yoga practitioner and teacher have supported her both physically, psychologically and spiritually. Anna’s positivity really comes through in her beautiful playing, which you’ll get a taste of at the beginning of the episode, and in the way she has navigated some difficult life circumstances. Timestamps are included below in the description for the many topics that we touched on during this conversation. All these episodes are available in both video and podcast format and the transcript will soon be published to my podcast website leahroseman.com: https://www.leahroseman.com/episodes/anna-petersen-oboe-player-and-educator-founder-of-passionflower-yoga

The performance of the Mozart Oboe quintet is used both with permission of Chamberfest and violinist Yosuke Kawasaki, violist Paul Casey and cellist Rachel Mercer (followers of this series will recognize several musicians!).

Anna Petersen joined Canada’s National Arts Centre Orchestra (NACO) as Second Oboe and English horn in 2013. She has performed orchestral and chamber concerts throughout Canada and the United States and internationally in China, Hong Kong, New Zealand, and throughout Europe. Prior to joining NACO, she held positions as Principal Oboe of the Syracuse Symphony Orchestra and as B-contract Second Oboe of the Rochester Philharmonic Orchestra. She has enjoyed guest appearances as Principal Oboe with the Pittsburgh, Detroit and Wichita Symphony Orchestras, The Florida Orchestra, the Lake Placid Sinfonietta, and the Buffalo Philharmonic Orchestra, with whom she made her Carnegie Hall debut in 2013. She has also recently performed with the Auckland Philharmonia Orchestra in Auckland, New Zealand. Anna earned her Bachelor of Music Degree and Performer’s Certificate from the Eastman School of Music. Her primary teachers include Richard Killmer and Suzanne Geoffrey. In addition to her musical life, Anna is also an internationally certified yoga teacher with Yoga Alliance, having completed 300 hours of training in Bali, Indonesia. Her yoga website: https://passionfloweryoga.ca/

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Timestamps:

(00:00:00) Introduction (00:01:27) Mozart Oboe quartet 3rd movement

(00:06:03) Interview starts, with oboe demo Peter and the Wolf Prokofiev

(00:07:05) English horn demo and discussion, breathing technique

(00:09:38) Anna's musical history, Richard Killmer

(00:11:42) Reed making

(00:17:25) some oboe history

(00:20:41) more about Richard Killmer

(00:21:48) Anna's childhood and starting music

(00:24:05) studies at Eastman

(00:25:31) first job with Rochester Philharmonic Orchestra

(00:27:24) Auditions, self-compassion, growth mindset

(00:32:18) teaching music, singing

(00:34:55) Yoga, teacher training in Bali, gaining perspective

(00:38:39) Anna's pre-playing routines

(00:40:49) posture, body awareness

(00:42:42) founding Passionflower Yoga

(00:45:24) the loss of Marjorie

(00:47:55) Syracuse Symphony and bankruptcy of the orchestra

(00:50:10) path to joining the National Arts Centre Orchestra

(00:51:13) pandemic shut-downs and first rehearsals

(00:54:09) experiences in differ

Previous Episode

In this short bonus episode with the inspiring trumpet player and educator, Karen Donnelly, Principal Trumpet of the National Arts Centre Orchestra, she shares stories of her outreach during the pandemic lockdowns, her role as mentor and her role in the The Canadian Women's Brass Collective, and finally wonderful advice for all musicians about improving. The full episode is available in both video and podcast format, with the full transcript all linked here: https://www.leahroseman.com/blog/karen-donnelly-transcript

Buy me a coffee? Please help this podcast keep going! https://ko-fi.com/leahroseman

Next Episode

Tracy Silverman is truly an inspiring musician in every respect and it was such an honour to meet him and be able to record this memorable episode! This interview is also available as a video, and the transcript will soon be published, everything linked here: https://www.leahroseman.com/episodes/tracy-silverman-electric-violinist-and-author-of-the-strum-bowing-method

We talked about his classical roots, studying with legendary teachers Lewis Kaplan and Ivan Galamian, his rejection of the classical world and his fascinating career, through his years in rock bands, we even talked about some of his early gigs, including learning the ropes as a strolling violinist, getting the job as first violinist of the innovative Turtle Island string quartet, and the development of his Strum Bowing method. We talked about many musicians, including some of his collaborators and mentors including Terry Riley, Darol Anger, Roy “Futureman” Wooten, Mark Wood, and composers Roberto Sierra and John Adams. In this conversation one of the many topics we covered was the new concerto writtten for Tracy called “Ficciones” by Roberto Sierra. Finally, we dived into his creative process, how music affects our emotions, and how to stay open by listening to others, and learning to show up as ourselves. Tracy Silverman website: https://www.tracysilverman.com/

Please help me keep this podcast going! https://ko-fi.com/leahroseman

(00:00:00) Intro

(00:02:29) Concerto "Ficciones" by Roberto Sierra, premiered with the American Symphony Orchestra

(00:06:13) Tracy's 6-string electric violin built by Joe Glazer with demonstrations, and more about "Ficciones"

(00:13:14) Tracy's support system for the instrument and hisi progression from classical violinist through his rock days

(00:21:37) Lewis Kaplan

(00:24:25) Ivan Galamian

(00:27:40) Tracy's approach to Bach

(00:31:04) Tracy's childhood, starting to study composition

(00:33:14) intersection of improvisation and composition

(00:35:17) more about "Ficciones"

(00:37:20) "Between the Kiss and the Chaos"

(00:39:51) Turtle Island String Quartet and career advice

(00:43:35) Strolling violin gigs, wedding singer

(00:46:41) John Adams, "Dharma at Big Sur", solo recital versions of concerti

(00:49:00) Looping with demo

(00:56:27) Album "Beats and Jams" with son "Toby Beats"

(01:01:11) mentor and collaborator Terry Riley

(01:03:23) process of improvisation

(01:09:56) using Strum bowign principles in different styles

(01:16:47) Egberto Gismonti, Darol Anger

(01:19:24) Caito Marcondes

(01:21:00) teaching, strum bowing in school music programs

(01:23:43) Turtle Island String Quartet, Darol Anger and the origin of strum bowing

(01:27:08) how music affects our emotions

(01:31:10) Roy "Futureman" Wooten, positive mindset

(01:36:30) challenges with the 2020 lockdowns

(01:43:25) manager Brian Horner and putting together commission for "Ficciones" with different orchestras

(01:45:21) Rudolph Hawkin, Mark Wood, Matt Bell, Chuck Bond Trager, Tracy's mission with string playing

(01:50:23) How Tracy practices

(02:03:28) Advice on being open and listening to other musicians

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