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Fennimore Cooper’s Literary Offences by Mark Twain ~ Full Audiobook [comedy]
Classic Audiobook Collection
09/16/22
•35m
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Fennimore Cooper’s Literary Offences by Mark Twain audiobook.
Genre: comedy
In Fennimore Coopers Literary Offences, Mark Twain turns his sharp wit on one of America's early bestselling novelists, James Fenimore Cooper, and invites listeners into a gleefully rigorous takedown of what Twain sees as careless storytelling. Framed as a mock-serious piece of criticism, the essay begins with Twain's bafflement at Cooper's popularity and quickly becomes a tour of the alleged sins of romantic adventure fiction: improbable action, muddled geography, convenient coincidences, and prose that stumbles over clarity and common sense. Along the way, Twain lays out his famous set of rules for writing fiction and then, point by point, argues that Cooper violates nearly all of them, using examples from the Leatherstocking novels and their heroic frontier icon, Natty Bumppo. The result is part comedy, part craft lecture, and part cultural argument about what readers should demand from stories. Whether you love classic frontier tales or enjoy watching a master satirist sharpen his knives, this short work is a lively listen about taste, technique, and the pleasures of saying the quiet part out loud.
Chapters (Approximate)
(00:00:00) Chapter 01
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Christian Science by Mark Twain ~ Full Audiobook [religion]
September 15, 2022
•494m
Christian Science by Mark Twain audiobook.
Genre: religion
Christian Science is a 1907 collection of essays Mark Twain wrote about Christian Science, beginning with an article that was published in Cosmopolitan in 1899. Although Twain was interested in mental healing and the ideas behind Christian Science, he was hostile towards its founder, Mary Baker Eddy (1821–1910). He called her, according to American writer Caroline Fraser, '[g]rasping, sordid, penurious, famishing for everything she sees—money, power, glory—vain, untruthful, jealous, despotic, arrogant, insolent, pitiless where thinkers and hypnotists are concerned, illiterate, shallow, incapable of reasoning outside of commercial lines, immeasurably selfish.'
Chapters (Approximate)
(00:00:00) Chapter 01
(00:06:05) Chapter 02
(00:30:53) Chapter 03
(00:43:09) Chapter 04
(00:50:33) Chapter 05
(01:01:03) Chapter 06
(01:29:47) Chapter 07
(01:56:54) Chapter 08
(02:01:21) Chapter 09
(02:14:32) Chapter 10
(02:29:32) Chapter 11
(02:50:47) Chapter 12
(03:01:14) Chapter 13
(03:14:49) Chapter 14
(03:20:48) Chapter 15
(03:34:37) Chapter 16
(04:33:03) Chapter 17
(05:01:57) Chapter 18
(05:42:05) Chapter 19
(05:43:59) Chapter 20
(05:58:48) Chapter 21
(05:59:39) Chapter 22
(06:05:16) Chapter 23
(06:07:58) Chapter 24
(06:09:32) Chapter 25
(06:25:53) Chapter 26
(06:37:18) Chapter 27
(06:40:25) Chapter 28
(06:41:50) Chapter 29
(07:05:50) Chapter 30
(07:14:13) Chapter 31
(07:18:32) Chapter 32
(07:36:37) Chapter 33
(07:38:25) Chapter 34
(07:55:05) Chapter 35
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The Death Disk by Mark Twain ~ Full Audiobook [drama]
September 16, 2022
•28m
The Death Disk by Mark Twain audiobook.
Genre: drama
Mark Twain's 'Death Disk' was inspired by the historical account of the execution of Colonel John Poyer of Pembroke, Wales on April 21, 1649. A small child was given the responsibility of selecting which of three rebel leaders of a civil uprising would receive a death penalty. The unfortunate fate was given to Poyer who was shot in front of a large crowd at Covent Garden. In 1883 Twain read about the child's role in the execution in a copy of Carlyle's Letters and Speeches of Oliver Cromwell, (Wiley & Putnam, 1845, pp. 344-345). In his personal notebook, Twain's imagination led him to remark, 'By dramatic accident, it could have been his own child' (Notebook #22, reprinted in Mark Twain's Notebooks & Journals, Volume III, 1883-1891, p. 14). In December 1883, Twain wrote his friend William Dean Howells, 'Now let's write a tragedy' (Mark Twain-Howells Letters, Volume II, p. 455). In his letter to Howells, he included the manuscript of the closing scene where a young girl unknowingly gives her own father a death sentence. Twain's original version ended in the father's execution.
Twain's plan to complete the tragedy went nowhere for over a decade. In December 1899 he wrote from London to Katharine Harrison that he had recently completed 'The Death Disk.' Twain had revised the story and it now included a miraculous ending well-suited for the Christmas season. It was published in the 1901 Christmas issue of Harper's Magazine. On February 8, 1902, the story was staged as a one-act play at the Children's Theatre at Carnegie Hall. According to an announcement in The New York Times, February 7, 1902, child actress Beatrice Abbey (stage name of Mrs. Ethel Foster Hollearn) would star in the lead role in the play titled 'Little Lady and Lord Cromwell.'
In Twain's autobiographical dictation on August 30, 1906, he recalled the struggles he had with the story. By that time he also recalled the title incorrectly: 'In the course of twelve years, I made six attempts to tell a simple little story which I knew would tell itself in four hours if I could ever find the right starting point. I scored six failures; then one day in London I offered the text of the story to Robert McClure and proposed that he publish that text in the magazine and offer a prize to the person who should tell it best. I became greatly interested and went on talking upon the text for half an hour; then he said, 'You have told the story yourself. You have nothing to do but put it on paper just as you have told it.' I recognized that this was true. At the end of four hours, it was finished, and quite to my satisfaction. So it took twelve years and four hours to produce that little bit of a story, which I have called 'The Death Wafer'' (Mark Twain in Eruption, pp. 199-200).
Chapters (Approximate)
(00:00:00) Chapter 01
(00:13:35) Chapter 02
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