Community Covid
Audiovisual Cultures
06/21/21
•44m
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Dr Rabya Mughal talks to Paula Blair about her research on the role of art and creativity in our well-being, barriers to arts participation, and University College London’s Community Covid Project. Find out more at https://culturehealthresearch.wordpress.com/community-covid/
This episode was recorded using Zoom on 24 May 2021 and was edited by Paula Blair with Audacity and Kdenlive. The music is ‘commonGround’ by airtone (c) copyright 2018 Licensed under a Creative Commons Attribution Noncommercial (3.0) license. http://dig.ccmixter.org/files/airtone/58703
See the subtitled video at https://youtu.be/Igp7erVjApY
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June 20, 2021
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Preview of with Dr Rabya Mughal talking about her work on UCL's Community Covid Project.
See the captioned audiogram at https://youtu.be/WfUr2jmYPw0
Find out more at https://culturehealthresearch.wordpress.com/community-covid/
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Next Episode
Cinema & the American Avant-garde 9
June 30, 2021
•44m
Lecture on the work of Michael Snow.
See episode website for the video with slides and auto captions.
Audio exclusive to Buy Me A Tea+ patrons.
REFERENCES & SUGGESTED READING
Wavelength (Snow, 1967) 43mins
La Région Centrale (Snow, 1971) (5min clip http://www.youtube.com/watch?v=uYr_SvIKKuI)
So Is This? (Snow, 1982) (first 10mins http://www.youtube.com/watch?v=8i6H1KDJ9Ic)
WVLNT (Wavelength for Those Who Don’t Have the Time) (Snow, 2003) 15mins http://www.youtube.com/watch?v=AQ0row2iTfU
Drummond, Philip, ‘Notions of Avant-garde Cinema’, in Film as Film: Formal Experiment in Film 1910–1975 ed. by Philip Drummond, Deke Dusinberre and A.L. Rees (London: Hayward Gallery, 1979): 9–16.
Hamlyn, Nicky, Film Art Phenomena (London: BFI, 2003).
Le Grice, Malcolm, ‘Snow Perspective and Time’, in Michael Snow Almost Cover to Cover, ed. by Catsou Roberts and Lucy Steeds (London: Black Dog Publishing Ltd., 2001): 110-119.
Lippit, Akira Mazuta, Ex-Cinema From a Theory of Experimental Film and Video (University of California Press, 2012)
MacDonald, Scott, Avant-garde Film: Motion Studies (Cambridge; New York: Cambridge University Press, 1993).
---, ‘Interview with Michael Snow’, in Experimental Cinema: The Film Reader, ed. by Wheeler Winston Dixon and Gwendolyn Audrey Foster (London: Routledge, 2002): 239–255.
Mulvey, Laura, ‘Visual Pleasure and Narrative Cinema’, Screen, 16.3, (1975): 6–18.
Sitney, P. Adams, Visionary Film: The American Avant-garde, 1943-2000 (New York; Oxford: Oxford University Press, 2002).
Taubin, Amy, ‘****’, in Who is Andy Warhol?, ed. by Colin McCabe with Mark Francis and Peter Wollen (London: BFI, 1997): 23–32.
Wees, William C., Light Moving in Time: Studies in the Visual Aesthetics of Avant-garde Film (Berkeley, California; Oxford: University of California Press, 1992).
White, Duncan, ‘Degree Zero: Narrative and the Contextual Image’, in Expanded Cinema: Art, Performance, Film ed by A. L. Rees et al. (London: Tate, 2011): 110–124.
Youngblood, Gene, Expanded Cinema (New York: P. Dutton & Co., 1970).
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