Cinema & the American Avant-garde 8

Introduction to structural film and the work of Hollis Frampton.

REFERENCES & SUGGESTED READING

Zorns Lemma (Frampton, 1970) 60mins

Hapax Legomena I: (nostalgia) (Frampton, 1971) 36mins

Dixon, Wheeler Winston, and Foster, Gwendolyn Audrey, eds., Experimental Cinema: The Film Reader (London: Routledge, 2002).

Frampton, Hollis, On the Camera Arts and Consecutive Matters: the Writings of Hollis Frampton, ed. and introduced by Bruce Jenkins (Cambridge, Mass.: MIT Press, 2009).

Gidal, Peter, ‘Interview with Hollis Frampton’, October, 32 (1985): 93-117.

Kluszczynski, Ryszard W., ‘Re-Writing the History of Media Art: From Personal Cinema to Artistic Collaboration’, Leonardo, 40.5 (2007): 469-474.

MacDonald, Scott, A Critical Cinema 5: Interviews with Independent Filmmakers (Berkeley; Los Angeles; London: University of California Press, 2006).

---, Avant-garde Film: Motion Studies (Cambridge; New York: Cambridge University Press, 1993).

Moore, Rachel O., Savage Theory: Cinema as Modern Magic (Duke University Press, 1999).

Mulvey, Laura, Death 24x A Second: Stillness and the Moving Image (Reaktion, 2006).

Sitney, P. Adams, ‘Structural Film’, in Dixon & Foster (2002): 227-237.

---, Visionary Film: The American Avant-garde, 1943-2000 (New York; Oxford: Oxford University Press, 2002).

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