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Art Heals All Wounds - Luqman Frank and Quincy Griffin, Everything's Gonna Be Alright, recording an album during the pandemic
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Luqman Frank and Quincy Griffin, Everything's Gonna Be Alright, recording an album during the pandemic

Art Heals All Wounds

08/04/21

45m

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Do you need a positive mantra to get you through the ups and downs that these times keep throwing our way? How about a mantra set to amazing music? I know the perfect thing for you, a new single, Gonna Be Alright, from Luqman Frank and Quincy Griffin. It's from their upcoming album, composed and recorded during the pandemic, with messages of positivity, unity, and love as a response to the cultural and political division that have marked the last few years. All set to the sounds of classic soul!

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Previous Episode

When the poet Maw Shein Win was faced with the wearisome task of moving, it got her thinking about her relationship with her things. She found a storage unit for the objects she didn't part with and she realized that, while the storage unit contained her things, her things, in turn, were containers as well--of memory, emotions, and attachments. At the same time, she had been researching nat spirits, something she was familiar with from her upbringing as a Buddhist. Her parents, Burmese immigrants, didn't worship nats, but she knew it was a common practice among many Buddhists in Myanmar. These preoccupations led to her latest volume of poetry, Storage Unit for the Spirit House. Her work in this book has been called "marvelous, timely, and resilient," (D.A. Powell). Maw Shein Win is described as a "mistress of the acute, quietly searing detail..." (Amy Gerstler). The poems, written in 2019, were prescient of a year in which everyone would find themselves contained at home, perhaps with nats of their own making mischief?

Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

Next Episode

They say you can never go home again. When Denise Zmekhol, daughter of the late Roger Zmekhol, a prolific and masterful architect in Brazil, decides to make a documentary film about his most famous building in Sao Paulo, she hopes that by telling the story of the building she will also be able to deepen her connection with her father. Known as the Skin of Glass (Pele de Vidro), this building symbolized the emergence of Brazil on the world stage when it was designed in 1961. After surviving a military coup and dictatorship, the building is unable to survive the decades of neglect and the occupancy of the houseless people who rely on it for shelter. As Denise comes to terms with the loss of this tangible reminder of her father, she shares the story of a housing movement whose members long for a place to call home.

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