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Art Heals All Wounds - Feed Drop: Allyship is a Verb, Hosted by Chris Angel Murphy: One Woman's Late in Life Lesbian Story, Featuring Kathy Houston
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Feed Drop: Allyship is a Verb, Hosted by Chris Angel Murphy: One Woman's Late in Life Lesbian Story, Featuring Kathy Houston

Art Heals All Wounds

06/07/23

59m

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Featured In

Show notes from Chris Angel Murphy and Allyship is a Verb
Put yourself in the other person's shoes.
This week, Kathy Houston (she/her) talks about Club LILLES and what it means for her to be a late in life lesbian. In this episode, you will learn 1. How lesbian TikTok has been a wonderful, informative resource. 2. Why her first girlfriend gave her “homework.” 3. What it feels like to live in the affirming bubble of St. Petersburg, Florida.

💜 Enjoyed this episode? Consider donating to keep the podcast going: https://anchor.fm/chris-angel-murphy/support

👕 Rock the official podcast merch: https://www.bonfire.com/store/allyship-is-a-verb/

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🎙️ Connect with Kathy to learn more about + support her work:

💻 Sources and resources from this episode:

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Previous Episode

Show Notes for this Episode from Paige Friend and The Beach SpeaksA friend of mine from “up North” asked me what’s it like to be in a hurricane? That got me thinking about my past 22 years living in Florida. How many hurricanes had I been in?

I grew up in the mountains of Pennsylvania. The only “natural disasters” I ever experienced were blizzards - which were fairly common and not all that disastrous. It wasn’t until I moved to Florida that I had ever been in an actual natural disaster - a hurricane.

I had just moved to Orlando when four hurricanes rolled through Florida - one right after the other:

Charlie, Francis, Ivan, and Jeanne.

Don’t you love how hurricanes have “everyday” names?

It makes sense to give hurricanes a name because it makes it really easy to talk about them later, like: “Remember when Andrew came one night and took our roof ?” Or, “Katrina - yeah - she was bad

And, like people, hurricanes have different personalities, are difficult to predict, and you never quite know what they’re going to do.

In this episode, I tell my story of two significant hurricanes in my life (so far): my first, Charley, and my last, Ian.

The hurricanes were roaring, the beach was speaking, and I was listening!
Listen
to The Beach Speaks on Buzzsprout Apple, or Spotify (or your favorite Podcast Player)

Support the show (for free) by following (it’s free) on Apple and Spotify and sharing it with your friends (did I mention it’s free?)

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Next Episode

Today, I’m joined by dancer, choreographer, and cultural leader Alleluia Panis. In our conversation, Alleluia expands on the vision behind her captivating performances, many of which are inspired by her lived experience as a Filipina immigrant.

Alleluia describes how many of the indigenous Filipino traditions have been forgotten due to the dark history of colonialism in the country. As the Artistic and Executive Director of KULARTS, Alleluia’s mission is to reintroduce the world to contemporary and tribal Filipino art. In her personal quest to reconnect with her indigenous self, she invites others to question where they might also be estranged from their true identity.

Alleluia’s curiosity has led her to explore more of her lineage and global history. After her research phase, she collaborates with other artists to develop characters, storylines, and corresponding dance pieces. Alleluia shares details of how this process unfolded for performances like for ‘She, Who Can See,’ ‘Nursing These Wounds,’ as well as her current project about the relationship between the US military and the Philippines. She also touches on the retreats and workshops she hosts in tandem with indigenous tribes in the Philippines.

Listen, rate, and review to Art Heals All Wounds on Apple Podcasts, Spotify, Google Podcasts, Stitcher, Castbox, or on your favorite podcast platform.

Topics Covered:

● Alleluia’s journey to becoming a dancer and performer

● Why it’s so important to Alleluia to represent the immigrant experience on stage

● Dance as a form of meditation and prayer

● How Alleluia works to find the balance of a piece that communicates her truth, but also invites others to find themselves in it

● What Alleluia notices about the next generation of young artists she works with

Guest Info:

KULARTS Website

Alleluia’s Instagram

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